Yuko Mohri

exhibition texts




Japan Pavilion at the 60th Venice Biennale: Yuko Mohri Composes Peace in the City of Water
Natsusko Fukushima, Tokyo Art Beat
16 May 2024

The Dead Rise at the Venice Biennale 
Jackson Arn, The New Yorker
2 May 2024

6 Standout Pavilions from the 2024 Venice Biennale
Carol Roux, Galerie Magazine
22 April 2024

10 Must-See National Pavilions in the 2024 Venice Biennale
Paul Laster, Art & object
22 April 2024

Venice’s 60th Biennale opens on humanity and the fragile planet

AFP, Times of Malta
22 April 2024

Venice Diary Day 3: The Biennale’s Best Pavilions Capture the Absurdity of Art in this Moment
Emily Watlington, Art in America
19 April 2024

8 Hits of the Venice Biennale
Jillian Steinhauer, The New York Times
19 April 2024

Here are 7 Standout Pavilions at the 2024 Venice Biennale, From a Quirky Sculptural Orchestra to a Luscious ‘Creole Garden’
Julia Halperin, artnet
18 April 2024

National Pavilions Review, Part 2: A Miasma of Despair and a Glimmer of Hope
Terence Trouillott, frieze critic’s guide
17 April 2024

National Pavilions Review: A Litany of Absences
Andrew Durbin, frieze critic’s guide
17 April 2024

Sneak preview: Asian pavilions at the 2024 Venice Biennale
Hannah McGivern, The Art Newspaper
26 March 2024

5 artists to keep an eye on at the 2024 Biennale Arte
D’Acquisto Germano, Interni
20 December 2023

The Shape of Water
Dan Adler, Artforum, Vol.62 No.3
November 2023

Japan Names 2024 Venice Biennale Artist and Curator

Brynn Gordon, ArtAsiaPacific
13 June 2023

14th Gwangju Biennale “soft and weak like water”
Jason Waite, e-flux criticism
12 May 2023

10 Standout Artists at the 14th Gwangju Biennale
Jaeyong Park, artsy
24 April 2023

The Next Big Names? Here are 5 Rising Artists to Watch From the Gwangju Biennale in South Korea
Vivienne Chow, artnet
7 April 2023

Dossier: Four artists to watch in Gwangju
Andrew Maerkle, frieze no. 234
April 2023

Up Close: Yuko Mohri

Pamela Wong, ArtAsiaPacific Issue 127,
March – April 2022

The Art of Flux: Yuko Mohri at Ginza Sony Park
Alan Gleason, artscape Japan
1 September 2020

Critic’s Guide: Glasgow International’s Digital Programme

Adam Benmakhlouf, Frieze Critic’s Guide
8 May 2020

Glasgow International 2020: Digital Platform
Joe Lloyd, studio international
8 May 2020

What Does Gravity Look Like? Artist Yuko Mohri’s Installations Make The Intangible Visible

Ruby Boddington, It’s Nice That
February 2019

Meet Yuko Mohri: The Artist Challenging Our Perceptions of Light, Sound, and Sculpture
Roisin Lanigan, Mutual Art
21 November 2018

Artist Yuko Mohri Creates Improvised Ecosystems through Found Objects
Jyni Ong, It’s Nice That
15 October 2018

Yuko Mohri unwinds at Camden Arts Centre
Barry Roberts, Apollo
7 August 2018

Yuko Mohri: How art appropriates life
Mark Rappolt, ArtReview Asia
Autumn 2016


© 2006-2024 mother’s tankstation limited