Atsushi Kaga Surrounded by memorabilia Acrylic and imitation gold leaf on canvas 210 x 170 cm 2022
Lee Kit HIS GAZE HAS TURNED INTO DISDAIN FOR THOSE WHO ARE WELL-INTENTIONED YET INCAPABLE. (A QUIET DAY) Installation view 2025
Photo: Andrea Rossetti
Sam Anderson Red Dirt Marijuana Mixed media wood, metal, water, water pump, frog skeleton, dead bat, dried grass, licorice, wax, fabric dye, paper, plastic, porcelain, dried tangerine, metal file, gum, watercolor, acrylic, MDF 91 x 99 x 15 cm 2013
Atsushi Kaga Usacchi in an Irish Landscape (Dublin 8) Acrylic and imitation gold leaf on canvas Triptych 180 x 360 cm (180 x 120 cm each) 2023
Prudence Flint Second Banana Oil on linen 135 x 107 cm 2022
Lee Kit HIS GAZE HAS TURNED INTO DISDAIN FOR THOSE WHO ARE WELL-INTENTIONED YET INCAPABLE. (A QUIET DAY) Installation view Fridericianum, Kassel 2025
Hannah Levy Untitled (detail) Nickel plated steel, silicone 94 x 45.7 x 50.8 cm 2016
Hannah Levy Untitled Nickel plated steel, PVC 78.5 x 40.5 x 18 cm approx (each) 2021
Peter Stichbury Maria de Agreda Bilocates To Gran Quivira Oil on linen 120 x 95 cm 2023
Yuri Pattison sun[set] provisioning OpenGL software, modified Dell PowerEdge R620, NVIDIA GTX 1650 GPU, uRad A3 atmospheic monitor, HD monitor, Dexion slotted angle, cables, cutaway padlock, rubidium atomic clock, combination padlock, steel ruler 200 x 200 x 43 cm 2019
Hannah Levy Untitled Nickel plated steel, alabaster 18.5 (h) x 84 x 72 cm 2019
Yuri Pattison true time master Microsemi Chip Scale Atomic Clock, counterfeit McIntosh MC275 amplifier (Foshan, Guangdong Province, China. 2018), electrostatic speaker, Dexion slotted angle, stripboard, electronic components, wire, shipping crate, packing materials, cable ties, printed matter, sound 200 x 100 x 75 cm 2019
Portions of this work were developed during the LUMA Arles Residency Program
Atsushi Kaga Small voices that are not to be heard (still waiting) Acrylic and imitation gold leaf on canvas 210 x 170 cm 2021
Matt Bollinger Picnic II Flashe and acrylic on canvas 50 x 40 cm 2023
Lee Kit ‘We used to be more sensitive’ Installation view 2018
Hara Museum of Contemporary Art, Tokyo
Lee Kit A4 Acrylic, emulsion paint, inkjet ink and pencil on cardboard 61 x 52 cm 2018
Hannah Levy Untitled Nickel-plated steel, silicone, zipper 182.88 x 67.3 x 62.9 cm 2017
Matt Bollinger Cyclone Fence II Flashe and acrylic on canvas 60 x 50 cm 2024
Áine Mac Giolla Bhríde son of Installation view Void, Derry 2023