Yuko Mohri

mother’s exhibitions:
Yuko Mohri
slower than slowly 
mother’s tankstation, Dublin
11 September – 14 December 2019

Publicness of the Art Center [phase II]
Contemporary Gallery, Art Tower Mito, Ibaraki, Japan
26 October 2019 – 26 January 2020

Yuko Mohri
Assume That There is Friction and Resistance 
Towada Art Center, Aomori, Japan
27 October 2018 – 24 March 2019

Born Kanagawa, Japan, 1980. Lives and works in Tokyo.

The recipient of the Nissan Art Award 2015, Mohri is an installation artist who recasts reconfigured everyday items and machine parts collected in cities around the world into self-contained ‘ecosystems,’ channelling and conducting intangible energies such as magnetism, gravity, temperature and light.

With an artistic background in new-media art, Mohri’s practice engages with circuits and connectivity. She states that: ‘I prefer gravity, magnetism, light, and wind to control my work.’ Mohri positions forces such as gravity and electricity as otherworldly and unpredictable, and her installations insist on the powers of the nonhuman and the uncontrollable. The artist establishes her systems and then steps back, relinquishing her agency – her circuits are left to their own devices.

In sound-based assemblages, Mohri’s approach has alluded to experimental artists Erik Satie, Marcel Duchamp and John Cage, particularly though their relationship to chance. Mohri brings contingency and improvisation into her installations, aiming to capture the appearance of the world and human essence through the eyes of new materialism.

In 2015, Mohri received a grant from the Asian Cultural Council for a 6-month residency in New York. In 2016, Mohri has undertaken a residency with the Victoria and Albert Museum, London, and had in residence at Camden Arts Centre, London. Mohri’s recent solo exhibitions were held at Camden Arts Centre, London (2018), Project Fulfill Art Space, Taipei (2018, 2016), The National Museum of Modern Art Kyoto, Japan (2018), White Rainbow, London (2017), Jane Lombard Gallery, New York (2016) and many group shows included “The 9th Asia Pacific Triennial of Contemporary Art,” Brisbane, Australia (2018), “14th Biennale de Lyon 2017,” Lyon (2017), “Japanorama: New Vision on Art since 1970,” Centre Pompidou-Metz, France (2017), “Kochi-Muziris Biennale 2016,” Kochi, India (2016), “Yokohama Triennale 2014,” Kanagawa, Japan (2014), etc. Her Works are in the collections of M+, Hong Kong; Musée d’art contemporain de Lyon, Lyon, France; Museum of Contemporary Art Tokyo, Tokyo, Japan etc.


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