Born 1986, Stavanger
Lives and works in London
Education
2007 BA Fine Art, Goldsmiths University, London
Solo Exhibitions
2019
Works on Paper, VI, VII, Oslo
2018
Vacant Lots, mother’s tankstation, London
2015
…alarming…invasive…a violation…lawless…disrespectful…, mother’s tankstation, Dublin
Vendor, Room East, New York
Numberless Crowded Streets, High Growth of Iron, Slender, Strong, Light, Splendidly Uprising Towards Clear Skies, Room East, New York
Group Exhibitions
2017
A Rising Tide Lifts All Boats, Union Pacific, London
Absent Bodies, OSL Contemporary, Oslo
2016
Morning Uber, evening oscillators, Seventeen Gallery, London
2015
L’albero della cuccagna, Fondazione Sandretto Re Rebaudengo, Turin
Open Source: Art at the Eclipse of Capitalism, Galerie Max Hetzler, Berlin
2014
Bunkering in Paradise: The Rest Of Us Just Live In It, Artuner, Turin
Abnormcore, Room East, New York
Bibliography
2017
Ulekleiv, Line, ‘Det roffe handlaget’, Klassekampen, February
2016
Murphy, Joseph, ‘Review: …alarming …invasive …a violation …lawless …disrespectful’, Shower of Kunst, June
2015
Gat, Orit, ‘Sebastian Lloyd Rees, Vendor, Room East’. Art Review, May
Kherbek, William, ‘New York City Now: art and the urban environment’ part II, Port Magazine #16, April
Rafferty, Penny Victoria, ‘Capitalism, Eclipsed at Max Hetzler’, sleek, March
Selected Exhibitions And Projects With Lloyd Corporation
2018
Local to Global, Carlos/Ishikawa, London
2017
Driftwood, or how we surfaced through currents, Fondazione Prada, Athens
From DADA to TA-DA!, Fisher Parrish Gallery, New York
2016
Developing Landscapes, Pump house Gallery, London
2014
MIRRORCITY, Hayward Gallery, London
Flow, Peles Empire, London
2012
An Idea Once but no longer Fulfilling, Four Boxes Gallery, Skive
When People Are Silent Stones Speak, Green is Gold, Copenhagen
Loading Spaces, Brickhouse Darbyshire Incarnation 5, Site Festival, Stroud
2011
Connect. Conjugate. Continue, Carlos/Ishikawa, London
Selected Bibliography Lloyd Corporation
2020
Ruigrok, Sophie, ‘What To See at Condo London 2020’, Frieze Critics’ Guide, January
2017
Modrak, Rebekah, ‘A Curatorial intervention on ebay’, Maize Books
‘Rebellious Concepts’, Sleek Magazine, October
Manatakis Alexandra, ‘This Frieze shows asks why the world makes so much shit’, Dazed & Confused, October
Ghidini, Marialuara, ‘Exstrange’, Journal of Curatorial Studies, Vol 6 Number 1
2016
Gavin, Francesca, ‘Hilary Clinton’s emails are going on display at Frieze’, Dazed & Confused, October
Editorial, The Art Newspaper ‘Hacking Hillary’s email’, The Art Newspaper, October
Editorial, The Art Newspaper ‘Carlos/Ishikawa and Frieze Live’ The Art Newspaper, October
2013
D’Aurizio, Michele, ‘Meet Lloyd Corporation’, Kaleidoscope, July
2012
Helsvig, Simen Joachim, ‘When People are Silent Stones Speak’, Kopenhagen Magasin, August
Archer, Michael, ‘Lloyd Corporation’, Artforum, January
2011
Geldard, Rebecca, ‘Lloyd Corporation: Connect. Conjugate. Continue’, Time Out, October
Kherbek, William, ‘Connect. Conjugate. Continue’ review, The Playground, September
Publications
2016
Lloyd Corporation, ‘The World For Less’, Office for Contemporary Art Norway, Carlos/Ishikawa
2014
McCarthy, Tom, ‘Mirror City’, Hayward Gallery
2013
Lloyd Corporation, ‘Competing Temporalities’, Carlos/Ishikawa
2012
Lloyd Corporation, ‘Archéologies Contemporaines’, Musée du château des ducs de Wurtemberg
Lloyd Corporation, ‘Loading Spaces’, Brickhouse Darbyshire Incarnation 5, Site Festival
2011
Lloyd Corporation, ‘The Logic of Ruin Value’ produced on the occasion of ‘Connect. Conjugate. Continue’, Carlos/ Ishikawa