artists

Sebastian Lloyd Rees

mother’s exhibitions:
Sebastian Lloyd Rees
Vacant Lots
19 April  – 26 May 2018
mother’s tankstation London

Sebastian Lloyd Rees
…alarming …invasive …a violation …lawless …disrespectful
13 November 2015 –
16 January 2016

exhibitions:
Sebastian Lloyd Rees,
Nina Canell 

Art Basel Miami Beach
December 2016

Sebastian Lloyd Rees,
Yuri Pattison

LISTE 21, Basel
June 2016

Born 1986, Stavanger, Norway
Lives and works in London

Education

2007 BA Fine Art, Goldsmiths University, London

Solo Exhibitions

2018
Vacant Lots, mother’s tankstation, London
2015

…alarming…invasive…a violation…lawless…disrespectful…, mother’s tankstation, Dublin
Vendor, Room East, New York
Numberless Crowded Streets, High Growth of Iron, Slender, Strong, Light, Splendidly Uprising Towards Clear Skies, Room East, New York

Group Exhibitions

2017
A Rising Tide Lifts All Boats, Union Pacific, London
Absent Bodies, OSL Contemporary, Oslo
2016
Morning Uber, evening oscillators, Seventeen Gallery, London
2015

L’albero della cuccagna, Fondazione Sandretto Re Rebaudengo, Turin
Open Source: Art at the Eclipse of Capitalism, Galerie Max Hetzler, Berlin
2014
Bunkering in Paradise: The Rest Of Us Just Live In It, Artuner, Turin
Abnormcore, Room East, New York

Bibliography

2017
Ulekleiv, Line, ‘Det roffe handlaget’, Klassekampen, February
2016
Murphy, Joseph, ‘Review: …alarming …invasive …a violation …lawless …disrespectful’, Shower of Kunst, June
2015
Gat, Orit, ‘Sebastian Lloyd Rees, Vendor, Room East’. Art Review, May
Kherbek, William, ‘New York City Now: art and the urban environment’ part II, Port Magazine #16, April
Rafferty, Penny Victoria, ‘Capitalism, Eclipsed at Max Hetzler’, sleek, March

 

 

Selected Exhibitions And Projects With Lloyd Corporation

2018     
Local to Global, Carlos/Ishikawa, London
2017
Driftwood, or how we surfaced through currents, Fondazione Prada, Athens
From DADA to TA-DA!, Fisher Parrish Gallery, New York
2016    
Developing Landscapes, Pump house Gallery, London
2014    
MIRRORCITY, Hayward Gallery, London
Flow, Peles Empire, London
2012     
An Idea Once but no longer Fulfilling, Four Boxes Gallery, Denmark
When People Are Silent Stones Speak, Green is Gold, Copenhagen
Loading Spaces, Brickhouse Darbyshire Incarnation 5, Site Festival, Stroud, UK
2011  
Connect. Conjugate. Continue, Carlos/Ishikawa, London

 

 

Selected Bibliography Lloyd Corporation 

2017      
Modrak, Rebekah, ‘A Curatorial intervention on ebay’, Maize Books
‘Rebellious Concepts’, Sleek Magazine, October
Manatakis Alexandra, ‘This Frieze shows asks why the world makes so much shit’, Dazed & Confused, October
Ghidini, Marialuara, ‘Exstrange’, Journal of Curatorial Studies, Vol 6 Number 1
2016
Gavin, Francesca, ‘Hilary Clinton’s emails are going on display at Frieze’, Dazed & Confused, October
Editorial, The Art Newspaper ‘Hacking Hillary’s email’, The Art Newspaper, October
Editorial, The Art Newspaper ‘Carlos/Ishikawa and Frieze Live’ The Art Newspaper, October
2013 
D’Aurizio, Michele, ‘Meet Lloyd Corporation’, Kaleidoscope, July
2012 
Helsvig, Simen Joachim, ‘When People are Silent Stones Speak’, Kopenhagen Magasin, August
Archer, Michael, ‘Lloyd Corporation’, Artforum, January
2011
Geldard, Rebecca, ‘Lloyd Corporation: Connect. Conjugate. Continue’, Time Out, October
Kherbek, William, ‘Connect. Conjugate. Continue’ review, The Playground, September

Publications

2016
Lloyd Corporation, ‘The World For Less’, Office for Contemporary Art Norway, Carlos/Ishikawa
2014
McCarthy, Tom, ‘Mirror City’, Hayward Gallery
2013

Lloyd Corporation, ‘Competing Temporalities’, Carlos/Ishikawa
2012
Lloyd Corporation, ‘Archéologies Contemporaines’, Musée du château des ducs de Wurtemberg
Lloyd Corporation, ‘Loading Spaces’, Brickhouse Darbyshire Incarnation 5, Site Festival
2011
Lloyd Corporation, ‘The Logic of Ruin Value’ produced on the occasion of ‘Connect. Conjugate. Continue’, Carlos/ Ishikawa

 

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